Richard Abel, The Ciné Goes to Town: French Cinema 1896-1914

Richard Abel, The Red Rooster Scare: Making Cinema American, 1900-1910

Alexander Alberro and Patricia Norvell, eds. Recording Conceptual Art

Georgios Anagnostopoulos, Aristotle on Goals and Exactness of Ethics

Steven E. Aschheim, The Nietzsche Legacy in Germany 1890-1990

Christoph Asendorf, Batteries of Life: On the History of Things and their Perception in the Nineteenth Century

John E. Atwell, Schopenhauer on the Character of the World: The Metaphysics of Will

Reyner Banham, A Critic Writes: Essays, ed. Mary Banham, Paul Barker, Sutherland Lyall, Cedric Price

Charles Barr, Ealing Studios (co-publication)

Janet Bergstrom, ed. Endless Night: Cinema and Psychoanalysis: Parallel Histories

Ermanno Bencivenga, My Kantian Ways

Ermanno Bencivenga, A Theory of Language and Mind

Matthew Bernstein, Walter Wanger: Hollywood Independent

Paul Betts, The Authority of Everyday Objects: A Cultural History of West German Industrial Design

Ernst Bloch, Heritage of Our Times (co-publication)

Cinzia Sartini Blum, The Other Modernism: F.T. Marinetti’s Futurist Fiction of Power

Randolph Bourne, The Radical Will: Selected Writings 1911-1918, ed. Olaf Hansen

Royal S. Brown, Undertones and Overtones: Reading Film Music

Alan Brudner, The Unity of the Common Law: Studies in Hegelian Jursiprudence

Peter Brunette, Roberto Rossellini (paperback reprint)

Luis Buñuel, An Unspeakable Betrayal: Selected Writings

Victor Burgin, Some Cities (co-publication)

Victor Burgin, In/Different Spaces: Place and Memory in Visual Culture

Barton Byg, Landscapes of Resistance: The German Films of Danièle Huillet and Jean-Marie Straub

J. Baird Callicott, Earth’s Insights: A Multicultural Survey of Ecological Ethics from the Mediterranean Basin to the Australian Outback

Robert L. Carringer, The Magnificent Amberson: A Reconstruction

Edward S. Casey, The Fate of Place: A Philosophical History

Peter Caws, Yorick’s World: Science and the Knowing Subject

Blaise Cendrars, Hollywood: Mecca of the Movies

Leo Charney and Vanessa Schwartz, eds. Cinema and the Invention of Modern Life

Margaret Cohen, Profane Illumination: Walter Benjamin and the Paris of Surrealist Revolution

Arthur Collins, Possible Experience: Understanding Kant’s Critique of Pure Reason

Christoph Cox, Nietzsche: Naturalism and Interpretation

Arthur Danto, Playing with the Edge: The Photographic Achievement of Robert Mapplethorpe

Arthur Danto, Philosophizing Art: Selected Essays

Arthur Danto, The Body/Body Problem: Selected Essays

Arthur Danto, Connections to the World: The Basic Concepts of Philosophy

Dan Diner, Beyond the Conceivable: Studies on Germany, Nazism, and the Holocaust

Arthur Wesley Dow, Composition: A Series of Exercises in Art Structure for the Use of Students and Teachers (paperback reprint)

Jeffrey Edwards, Substance. Force, and the Possibility of Knowledge: On Kant’s Philosophy of Material Nature

Rainer Forst, Contexts of Justice: Political Philosophy beyond Liberalism and Communitarianism

Anne Friedberg, Window Shopping: Cinema and the Postmodern

Gunter Gebauer and Christoph Wulf, Mimesis: Culture, Art, Society

Peter Goodrich, Oedipus Lex: Psychoanalysis, History, Law

Paul Gootenberg, Imagining Development: Economic Ideas in Peru’s “Fictitious Prosperity” of Guano, 1840-1880

David Ray Griffin, Unsnarling the World-Knot: Consciousness, Freedom, and the Mind-Body Problem

Philippe Hamon, Expositions: Literature and Architecture in Nineteenth-Century France

Beatrice Hanssen, Walter Benjamin’s Other History: Of Stone’s Animals, Human Beings, and Angels

George W. Harris, Dignity and Vulnerability: Strength and Quality of Character

George W. Harris, Agent-Centered Morality: An Aristotelian Alternative to Kantian Internalism

Georg Wilhelm Friedrich Hegel, Lectures on Natural Right and Political Science

Anthony Heilbut, Exiled in Paradise: German Refugee Artists and Intellectuals in America from the 1930s to the Present (paperback reprint)

 

Sumiko Higashi, Cecil B. DeMille and American Culture: The Silent Era

 

David Heyd, Genethics: Moral Issues in the Creation of People

 

Hitchcock on Hitchcock: Selected Writings and Interviews, ed. Sidney Gottlieb

 

Steve W. Horst, Symbols, Computation, and Intentionality: A Critique of the Computational Theory of Mind

 

Play It Again, Sam: Retakes on Remakes, ed. Andrew Horton and Stuart Y. McDougal

 

Diane Jacobs, Christmas in July: The Life and Art of Preston Sturges

 

Arthur Jacobson and Bernhard Schlink, eds. Weimar: A Jurisprudence of Crisis

 

Anselm Jappe, Guy Debord

 

Martin Jay, The Dialectical Imagination: A History of the Frankfurt School and the Institute of Social Research. 1923-1950

 

Martin Jay, Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought

 

Dalia Judovitz, Unpacking Duchamp: Art in Transit

 

Andreas Killen, Berlin Electropolis: Shock, Nerves, and German Modernity

 

Marsha Kinder, Blood Cinema: The Reconstruction of National Identity in Spain

 

Theodore Kisiel, The Genesis of Heidegger’s Being and Time

 

Sarah Kozloff, Overhearing Film Dialogue

 

Klaus Kreimeier, The UFA Story: A History of Germany’s Greatest Film Company, 1918-1945 (paperback reprint)

 

Lea Jacobs, The Wages of Sin: Censorship and the Fallen Woman Film, 1928-1942

 

Leonard Leff, Hitchcock and Selznick: The Rich and Strange Collaboration of Alfred Hitchcock and David. O. Selznick in Hollywood

 

Helmut Lethen, Cool Conduct: The Culture of Distance in Weimar Germany

 

David Michael Levin, ed. Modernity and the Hegemony of Vision

 

David Michael Levin, The Philosopher’s Gaze: Modernity in the Shadow of Enlightenment

 

Alphonso Lingis, Abuses

 

Alphonso Lingis, Dangerous Emotions

 

Karl Löwith, Nietzsche’s Philosophy of the Eternal Recurrence of the Same

 

Scott McDonald, ed. Screen Writings: Scripts and Texts by Independent Filmmakers

 

Scott McDonald, ed. A Critical Cinema 2

 

Scott McDonald, ed. A Critical Cinema 3

 

The Letters of Heinrich and Thomas Mann, ed. Hans Wysling

Gina Marchetti, Romance and the “Yellow Peril’: Race, Sex, and Discursive Strategies in Hollywood Fiction

 

Joseph Margolis, The Flux of History and the Flux of Science

 

Joseph Margolis, Interpretation Radical but not Unruly: The New Puzzle of the Arts and History

 

Joseph Margolis, Historied Thought, Constructed World: A Conceptual Primer for the Turn of the Millennium

 

Gareth B. Matthews, ed. The Augustinian Tradition

 

Alida Metcalf, Family and Frontier in Colonial Brazil: Santana de Parnaíba 1580-1822

 

Henri Michaux, Darkness Moves: An Anthology, 1927-1984

 

Gavriel Moses, The Nickel was for the Movies: Film in the Novel from Pirandello to Puig

Elliott Neaman, A Dubious Past: Ernst Jünger and the Politics of Literature after Nazism

 

Gabriella Oldham, First Cut: Conversations with Film Editors

 

Dorothea Olkowski, Gilles Deleuze and the Ruin of Representation

 

Craig Owens, Beyond Recognition: Representation, Power, and Culture

 

Anson Rabinbach, The Human Motor: Energy, Fatigue, and the Origins of Modernity

 

Anson Rabinbach, In the Shadow of Catastrophe: German Intellectuals between Apocalypse and Catastrophe

 

William Rehg, Insight and Solidarity: The Discourse Ethics of Jürgen Habermas

 

Mark Reid, Redefining Black Film

 

Robert Riskin, Six Screenplays

 

Tom Rockmore, Cognition: An Introduction to Hegel’s Phenomenology of Spirit

 

Tom Rockmore, Before and After Hegel

Tom Rockmore, On Heidegger’s Nazism and Philosophy

 

David D. Roberts, Nothing But History: Reconstruction and Extremity after Metaphysics

 

D.N. Rodowick, The Crisis of Political Modernism: Criticism and Ideology in Contemporary Film Theory (paperback reprint)

 

Amelie Rorty, ed. Essays on Aristotle’s Rhetoric

 

Jonathan Rosenbaum, Movies as Politics

 

Jonathan Rosenbaum, Moving Places: A Life at the Movies (paperback reprint)

 

Jonathan Rosenbaum, Placing Movies

 

Michel Rosenfeld, Just Interpretations: Law between Ethics and Politics

 

David Rothenberg, Hand’s End: Technology and the Limits of Nature

 

Richard Schacht, ed. Nietzsche, Genealogy, Morality: Essays on Nietzsche’s On the Genealogy of Morals

 

William Scheuerman, ed. The Rule of Law Under Siege: Selected Essays of Franz L. Neumann and Otto Kirchheimer

 

Kristofer Schipper, The Taoist Body

 

Wolfgang Schivelbusch, In a Cold Crater: Cultural and Intellectual Life in Berlin, 1945-1948

 

James Schmidt, ed. What is Enlightenment? Eighteenth-Century Answers and Twentieth-Century Questions

 

Arthur Schnitzler, The Road into the Open

 

Alan Schrift, ed. Why Nietzsche Still?

 

Jeanne Schroeder, The Vestal and the Fasces: Hegel, Lacan, Proerty, and the Feminine

 

Dennis Sepper, Descartes’s Imagination: Proportion, Images, and the Activity of Thinking

 

Azade Seyhan, Representation and Its Discontents: The Critical Legacy of German Romanticism

 

Gary Shapiro, Earthwards: Robert Smithson and Art after Babel

 

Scott Spector, Prague Territories: National Conflict and Cultural Innovation in Franz Kafka’s Fin de Siècle

 

Preston Sturges, Four More Screenplays

 

Preston Sturges, Three More Screenplays

 

Karl Toepfer, Empire of Ecstasy: Nudity and Movement in German Body Culture, 1910-1935

 

Jan Tschichold, The New Typography

 

Nwachukwu Frank Ukadike, Black African Cinema

 

Zaragosa Vargas, Proletarians of the North: A History of Mexican Industrial Workers in Detroit and the Midwest, 1917-1933

 

Maurizio Viano, A Certain Realism: Making Use of Pasolini’s Film Theory and Practice

 

Janet Ward. Weimar Surfaces: Urban Visual Culture in 1920s Germany

 

Georgia Warnke, Legitimate Differences: Interpretation in the Abortion Controversy and Other Public Debates

 

Maureen Turim, The Films of Nagisa Oshima: Images of a Japanese Iconoclast

 

Katharina von Ankum, ed. Women in the Metropolis: Gender and Modernity in Weimar Culture

 

Bernd Widdig, Culture and Inflation in Weimar Germany

 

Billy Wilder, Sunset Boulevard

 

Billy Wilder, Stalag 17

 

Billy Wilder, The Lost Weekend

 

Robert Williams, Hegel’s Ethics of Recognition

 

Richard Wolin, Walter Benjamin: An Aesthetic of Redemption (paperback reprint)

 

Michael Zimmerman, Contesting Earth’s Future: Radical Ecology and Postmodernity

 

 

BOOKS THAT I HAVE AUTHORED AND CO-EDITED

 

BOOKS THAT I ACQUIRED AS EDITOR-AT-LARGE FOR UNIVERSITY OF MINNESOTA PRESS